New Work

Motherboard_8
cross-stitch on cotton & nylon cord
36 x 70 in
2008

HIM

Maurizio Cattelan, HIM, 2001. Private Collection. Installation view, MCA, Chicago, 2006

At this point in my life, I believe this piece to be the single most impressive and thought-provoking work I have ever seen in person.

"This work juxtaposes the vulnerable, seemingly innocent body of a boy with the adult face of Adolf Hitler, who is widely considered the most evil person of the twentieth century for his responsibility for the deaths of six million Jews in the Holocaust and for the deaths of millions of others in World War II.

Cattelan intended that viewers first approach this diminutive figure from the back and then recognize Hitler when encountering HIM from the front. The scale of the figure, in relation to the physical stature of viewers, shifts the power relationship, perhaps raising conflicting responses, yet it does not diminish the potency of Hitler’s image and the magnitude of his crimes. HIM may serve as a reminder that the face of evil is not always easily recognizable and that individuals can cause terrible destruction."

- MOCA Chicago

National Endowment for the Arts Issues Research Note on Women Artists: 1990 to 2005

Gender pay gap persists among full-time working artists // For immediate release:
December 2, 2008

Washington, D.C. -- A new National Endowment for the Arts research note shows that women are making gains in traditionally male artist occupations, but still earn less than male artists. Women Artists: 1990-2005 takes a closer look at female artist employment trends that were previously mentioned in the May 2008 NEA report Artists in the Workforce: 1990-2005.

Totaling almost 919,000 artists in 2005, women represented 46 percent of the artist labor force, comparable to their percentage of all civilian workers. The note reveals significant patterns in pay disparity, demographic and educational trends, and women’s advancement in various art fields over the past 15 years. This note draws on data from the U.S. Census Bureau’s 2003-2005 American Community Surveys (ACS), along with the 1990 and 2000 population censuses.

"This important new report provides a factual overview of the situation of women in the American arts, said NEA Chairman Dana Gioia. "Committed and entrepreneurial, women artists are making enormous progress, but still lag behind their male colleagues economically, especially in fields such as photography, design, and architecture.”

Among the key findings:

Female artists earn less than male artists. Women artists who work full-year, full-time earn $0.75 for every dollar made by men artists. Women workers in general earn $0.77 for every dollar earned by men.

• Women’s pay disparity increases with age. In 2003-2005, women artists aged 18 to 24 earned $0.95 for every $1 made by young men artists. This ratio fell to $0.67 for 45-to-54 year-olds. Similar pay gaps by age are found in the overall labor market.

• Pay gaps vary by occupation. Men and women had closer earnings parity in lower-paying performing arts occupations (such as musicians and dancers), where women earned an average of $0.92 for every dollar earned by men. The gap tended to be larger in non-performing art occupations (such as designers and art directors), where women earned 72 percent of what men earn.

• Pay gaps vary by state. The pay disparity was smaller in ten states, such as New York and Arizona, where women made 80 percent or more of what men made. Women made less than 75 percent of what men made in 27 states, including Virginia, Michigan, and North Dakota.

Women make up just under half of all artists nationwide (46 percent), yet they are underrepresented in many artist professions. In 2003-2005, nearly 8 out of 10 announcers and architects were men.

Women have achieved a greater presence in some artist occupations. By 2003-2005, women made up 43 percent of all photographers and 22 percent of all architects – representing gains of 11 and 7 percent, respectively, since 1990.

Women artists are as likely to be married as female workers in general, but they are less likely to have children. In 2003-2005, more than half of all women artists and all women workers were married. Yet only 29 percent of women artists had children under 18, almost six percentage points lower than for women workers in general.

Female artists cluster in low-population states. Women made up more than 55 percent of the artist labor force in Iowa, Alaska, New Hampshire and Mississippi in 2003-2005. They represent well below half of all artists in New York (45.8 percent) and in California (42.6 percent).

"This important new report provides a factual overview of the situation of women in the American arts," said NEA Chairman Dana Gioia. "Committed and entrepreneurial, women artists are making enormous progress, but still lag behind their male colleagues economically, especially in fields such as photography, design, and architecture."

http://www.nea.gov/news/news08/WomenArtists.html

Barbie's Sordid History

"As revealed by M.G. Lord in Forever Barbie, the world's best selling doll has something in her past that she doesn't want you to know. Barbie started out as a teutonic cartoon hooker named Lilli who slept her way into the hearts of men all over Germany in the 1950s. She was then made into a jokey gift doll for men, complete with sexy, interchangeable clothes. Ruth Handler, owner of Mattel, discovered Lilli on a trip to Europe, bought the rights, cleaned her up a bit, renamed her, and the rest is history." - Bitches, Bimbos and Ballbreakers, The Guerrilla Girls, 2003